20121002

20120930

JULIAN HOEBER


currently @

HARRIS LIEBERMAN

ROMAN EGO




This is a sound project I am currently working on... The footage is from a performance on a roof in Bed-Stuy.

MORE TO COME!!!

REBRANDING2012 

RIP HARSH TERRAIN 

Jean Francois Lyotard // Representation, Presentation, Unrepresentable

JFLRU


ATTENTION!

PAINTERS PAINTERSPAINTERS!!!!!!!!

Taken from Lyotard's The Inhuman

This essay seems pertinent relative to discussions I have been having with peers. Moreover, it seems to always be a reading I return to when I start to feel a crisis coming on.

JSM october 2012

Michael Stearns // Ancient Leaves (excerpt)


20111115

Manuel Göttsching - E2-E4




Part 2
Part 3
Part 4
Part 5
Part 6

Wyatt Kahn


Good Odds

Returner


Artist's Website

Head - Lysergic Acid Diethylamide 1970

Vojin Bakić


Petrova Gora Monument

"Why is saving Petrova Gora important? Former Yugoslav politicians took a stand against the East Block through commissioning art and architecture inspired by American post-war modernism and the neutral visual force of abstract expressionism. For architecture, this ultimately led to an official policy of commissioning memorials based on American modernism. Petrova Gora is one of the clearest examples of this former Yugoslav policy. This object is not just a monument that belongs to one nation or to the expanded former Yugoslav nationalities–Petrova Gora belongs to a much wider and international public. It needs to be protected as an international symbol of anti-fascist resistance on its own ground."

A/N blog


Cirkulacija u prostoru 1, 1970


info

Blue Curry

Untitled (2010)
whale vertebra, stool, sequined hat
100 x 20 x 10 cm



Untitled (2010)
customised cement mixer, sun cream
100 x 100 x 130 cm
created for: liverpool biennial


@Toomer Labzda

Artist's Page